Ben uses a mixture of drawing, printmaking and collage to create his artworks. One of his influences is the work of the early 20th century avant-garde and the legacy of Polish poster art. He has an interest in current affairs and the representation of history.
Ben has worked with clients including The Economist, Harper’s Magazine, Mother Jones, The New Republic, Politico and Prospect. Since 2018 he has illustrated the ‘Behind the Times’ column for History Today Magazine. Ben has also worked regularly with Éditions Gallimard in France, on numerous book covers. Ben illustrated The Folio Society’s edition of The Clockwork Orange and The Secret Agent. Ben has produced a line of clothing for Hikerdelic and animations and campaigns for Hermès.
“I’d been a fan of Ben’s illustration style since I was introduced to his work in an issue of Heart’s Beat magazine. I had also seen his illustration work for the Folio society (The Secret Agent / A Clockwork Orange) and was keen to find the right book for him to illustrate for us. The witchcraft book seemed like the perfect brief.I love the layers and texture in Ben's illustrations, a mix of traditional printmaking, woodcut, collage and digital use of rough printed and paper textures. He had already used some folk art and occult shapes/objects in his illustrations (Skulls, Crows, Devils heads etc.), and had used them in a bold, graphic, contemporary way I’d not seen before. The muted colour palette he uses also seemed to fit perfectly with the subject matter of The Museum of Witchcraft.”
James Empringham, Art Director at Wellbeck
“We’ve worked with Ben on 70 drawings for History Today (so far). The 'Behind the Times' column is always a timely subject using knowledge of history to look at current events. Ben always tackles these tricky subjects with intelligence and style without relying on clichés. He brings an amazing identity to the column which changes author every month. He always treats the sensitive subjects with thought and care but always making sure it’s a drawing with visual impact. We’re very lucky to have him in the magazine.”
Holly Catford, Art Director of History Today at Esterson Associates
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